21 Mar


In the dimly lit corners of Christiania, Copenhagen, where the scent of freedom mixed with the heavy aroma of cannabis, lived Flemming Riex. It was the late '70s, a time of musical revolutions and cultural awakenings. Flemming, a young man barely out of his teens, was no stranger to the world's injustices and sought solace in the soothing rhythms of reggae music. His love for this genre was not just a matter of taste but an embrace of its underlying message of unity and resistance against oppression. Cannabis, for him, was more than a recreational substance; it was a gateway to tranquility, a healer of the invisible wounds inflicted by society.

Flemming's life in the vibrant, autonomous neighborhood of Christiania was simple yet profound. Surrounded by like-minded individuals, he thrived in an environment that challenged conventional norms and celebrated freedom in every form. However, his spirit yearned for something more, a deeper connection that he had yet to uncover.

The pivotal moment came unexpectedly. Flemming learned of Bob Marley's One Love concert in Kingston, Jamaica, set to take place in 1978. Marley, a prophet of peace in Flemming's eyes, sang the songs that resonated with Flemming's deepest beliefs. The decision was made in an instant; he would travel to Kingston to witness the musical legend, to be part of the historical gathering that promised to be much more than just a concert.

Kingston welcomed Flemming with open arms and an open heart. The concert was a transcendental experience, transcending borders and uniting hearts. But it was after the concert, wandering the streets of Kingston, that Flemming's life took a turn he could never have anticipated. An encounter led him to experience DMT, propelling him into a psychedelic journey that opened his eyes to visions of spirituality and unity beyond the confines of his previous existence. 

In the depths of his vision, Flemming encountered the essence of the Rastafarian religion. He learned of Jah, the Judeo-Christian God, and the belief in Christ as a divine manifestation of Jah. The Rastafarian perspective on Emperor Haile Selassie of Ethiopia as the black Messiah, the rebirth of Christ, resonated with Flemming on a profound level. This spiritual awakening was not just a moment of personal revelation; it was a call to a higher purpose.

Transformed by his experiences in Kingston, Flemming returned to Copenhagen with a new sense of identity. His journey had led him to embrace the Rastafarian faith, carrying with him the lessons of love, unity, and resistance. The streets of Christiania, once a haven for his youthful exploration, now served as the foundation for his spiritual mission. Flemming Riex, once a seeker of solace in reggae and cannabis, had become a vessel for a greater message, a bridge between worlds, ready to spread the teachings of Jah and the spirit of One Love. 


Chapter 1: The Pulse of Christiania

Christiania, with its vibrant murals and the air thick with the scent of freedom and rebellion, was a world unto itself. Flemming Riex, with his shaggy hair and eyes alight with dreams, was its son. The narrow, cobblestone streets echoed with the sounds of reggae music, the heartbeat of a community that dared to live differently. Flemming spent his days immersed in this culture, his soul resonating with the music's message of resistance and unity.

His home was a modest, colorful abode filled with records, posters of musical icons, and the ever-present aroma of cannabis. Here, Flemming found solace and healing, away from the world's chaos. He was known in Christiania for his deep knowledge of reggae, his easy smile, and his generosity with his cannabis stash. Yet, beneath his calm exterior, Flemming harbored a restlessness, a yearning for a connection deeper than the one he had found in his community.

One day, as Flemming sat by the lake, strumming his guitar to the tune of "No Woman, No Cry," a friend approached him with news of Bob Marley's concert in Kingston. The thought of seeing Marley, the prophet of peace, in person set Flemming's heart ablaze. It was as if destiny itself had extended an invitation. Without hesitation, he made up his mind to embark on the journey, a decision that would alter the course of his life.

Chapter 2: The Rhythm of Kingston

Kingston was a world apart from Christiania. The city pulsed with energy, its streets a tapestry of vibrant colors, sounds, and smells. Flemming arrived with a heart full of anticipation, the echoes of Marley's music guiding him. The One Love concert, held in a sprawling field under the Jamaican sun, was a gathering of souls from across the globe, united by music and a shared dream of peace.

As Marley took the stage, Flemming felt a surge of emotion. The music enveloped him, transcending language and culture, speaking directly to his soul. For those few hours, Flemming was part of something much larger than himself, a global family brought together by the power of reggae.

After the concert, as the euphoria lingered, Flemming wandered the streets of Kingston, lost in thought. A chance encounter with a Rastafarian elder led him to a small, secluded spot where he was offered DMT. The decision to partake was impulsive, driven by a desire to explore the depths of his consciousness.

The experience was unlike anything Flemming had ever known. Visions of unity, love, and a deep connection to the divine filled his mind. He saw the world not as divided but as a single entity, bound by love and spirit. In those moments, Flemming found the connection he had been seeking, a spiritual awakening that would redefine his existence. 

Chapter 3: The Revelation

Flemming returned to Copenhagen a changed man. Christiania, with its narrow streets and colorful homes, welcomed him back, but he could feel the transformation within him. His journey to Kingston and the spiritual awakening he experienced there had imbued him with a new purpose.

He immersed himself in the study of Rastafarianism, drawn to its messages of love, unity, and resistance. Flemming saw parallels between the Rastafarian belief in Jah and the sense of divine presence he had felt during his psychedelic journey. He began to share his newfound spirituality with his community, speaking of love, peace, and the teachings of Jah.

Christiania, always a place of diverse beliefs and practices, embraced Flemming's spiritual transformation. He became a bridge between worlds, integrating the messages of reggae and Rastafarianism with the ethos of freedom and resistance that defined Christiania.

Flemming's home transformed into a space of spiritual gathering, where discussions about faith, music, and the divine were commonplace. He led by example, showing that spiritual awakening was not an escape from reality but a deeper engagement with it.

Through his journey, Flemming realized that his search for connection was not just about finding a place in the world but about understanding the interconnectedness of all things. His journey from Christiania to Kingston and back had been a physical manifestation of this realization. Now, with his heart and soul attuned to the rhythms of reggae and the teachings of Rastafarianism, Flemming Riex stood ready to live his life as a testament to the power of love and unity, spreading the message of One Love, one heart, one destiny.

Epilogue: Conversations in the Ethereal Realm 

In the twilight of his journey, Flemming found himself in an ethereal realm where time and space converged into an infinite mosaic of light and sound. Before him stood Emperor Haile Selassie of Ethiopia, a figure of profound dignity and grace, embodying the divine manifestation of Jah. The air around them pulsed with the holographic essence of creation, a testament to the interconnectedness of all existence. 

"Flemming," the Emperor's voice resonated, both within and all around him, "you have journeyed far to uncover the layers of reality that bind the physical to the spiritual. Jah's creation is vast and intricate, a hologram where each part reflects the whole." 

Flemming, feeling the weight of his experiences converging in this moment, replied, "Your Majesty, I've felt the presence of Jah in music, in love, and even in suffering. It's as if every experience, every soul, is a mirror to the divine." 

Selassie nodded, his eyes reflecting the cosmos. "Indeed, Flemming. The holographic nature of Jah's creation means that everything is interconnected. Every action, every thought, resonates through the tapestry of existence. We are all reflections of each other and of the divine." 

As they spoke, visions of Christiania, Kingston, and the myriad faces Flemming had encountered on his journey swirled around them. Each person, each moment, was a pixel in the vast image of life, individual yet inseparable from the whole. 

"Embrace this understanding, Flemming," Selassie continued. "Carry it back to your world. Teach others to see the divine not as distant or separate, but as intimately woven into the fabric of their lives. Jah is as close as their breath, as immediate as their thoughts." 

Flemming felt a profound peace settle over him. "I will, Your Majesty. I will spread the message of unity, of our holographic bond with Jah and with each other. Love, music, and faith will be my tools." 

As the vision faded, Flemming was left with a sense of purpose renewed. He knew that his journey was both an end and a beginning, a cycle of learning and teaching that would continue as long as the music played and the heart beat in rhythm with the universe. In the holographic nature of existence, every soul was a beacon of Jah's love, every song a hymn to the interconnectedness of life. And Flemming, transformed by his spiritual odyssey, was ready to illuminate the path for others, guided by the eternal wisdom of Emperor Haile Selassie and the encompassing love of Jah.





* E-mailadressen publiceras inte på hemsidan.